Starting from the mathematical structure of Taiji, the Two Modes, Four Images, and Eight Trigrams in the Book of Changes, this article systematically explores the information-carrying capacity of Bazi and Qimen Dunjia as divinatory systems. Through analysis of Yin-Yang, the Five Phases, the Hetu and Luoshu, and other classical mathematical foundations, it seeks to provide a unified perspective for measuring and comparing the information volume of these two arts.

A thorough exploration of the principles behind Qimen Dunjia's capacity for 'multiple judgments from a single chart.' Through holographic cosmology, multidimensional coordinate systems, the symbolic system of universal correspondences, and the shifting of Taiji focal points, this article dissects the core mechanisms of what is regarded as the highest art of divination in ancient China.

'An in-depth analysis of the core differences between the "Life Chart" (Mingpan / Zhongshen Pan) and the "Hourly Chart" (Shi Pan / Shijia Qimen) in Qimen Dunjia. Exploring from the dimensions of temporal scope, analytical logic, application range, and philosophical essence, this article reveals the dialectical relationship between fate and contingency in Yixue divination.'

This article focuses on the core political discourses in the Xianwen chapter of the Analects concerning Zang Wuzhong, Guan Zhong, Duke Ling of Wei, and others, analyzing Confucius's profound insights on ruler-minister relations, the distinction between hegemony and kingship, and the weighing of humaneness against righteousness — particularly the chasm between 'the difficulty of action' and 'the essence of humaneness (ren).'

This article offers a deep reading of Great Cold (Dahan), the final of the Twenty-Four Solar Terms, drawing on pre-Qin Confucian and Daoist philosophy, etymological analysis, and astronomical and phenological traditions. It reveals the dialectic of extreme cold and returning spring, the cyclic principle that every ending harbors a new beginning, and illuminates the late-winter rites of the Grand Nuo exorcism and the clay ox ceremony—inviting the reader into the ancients' cosmic wisdom of 'tracing origins by returning to endings' and the eternal circle of ceaseless renewal.

This essay undertakes an in-depth study of the 'Yi' ode from the Greater Odes (Daya) section of the Classic of Poetry (Shijing) through the lens of pre-Qin thought. It examines the philological origins of the character 'yi' (restraint), confirms Duke Wu of Wei as its author with 'self-vigilance' as its guiding purpose, and elucidates the poem's emphasis on dignity, virtue, its critique of King Li's misgovernance, and its enduring political philosophy and moral cultivation significance.