干支万花筒

This article deeply analyzes the semantic fission of the character "ming" (命) in pre-Qin thought, tracing its evolution from divine mandate and innate nature to an active mission, demonstrating that it was not passive fatalism but rather proactive assumption of responsibility beyond cognitive horizons. By re-examining core propositions like Confucius's "knowing the mandate of Heaven," the study reveals the dynamic relationship of Heaven-human interaction in pre-Qin philosophy, showcasing the robust subjectivity and sense of mission within traditional Chinese culture.

This paper deeply interprets the core proposition "Those whose universes are vast and stable emit the light of heaven" from Zhuangzi's "Geng Sang Chu." Integrating Pre-Qin classics, it analyzes the proposition's five-layered progressive meanings, exploring the essence of Zhuangzi's thought concerning inner stillness, the interaction between Heaven and humanity, the transcendence of intellectual limits, and the cosmic order.

This study offers a profound analysis of the *Zhengming* chapter in the *Xunzi*, specifically examining the philosophical implications of "the perfected names of the later kings" and "dispersed names." By situating Xunzi’s theory within the broader discourse of Pre-Qin thought, the article elucidates how the rectification of names functions as a critical nexus for political governance, social order, and epistemological framework.

This article provides an in-depth analysis of the "Zigong asks about achieving ren" passage from the *Analects' Gongye Chang* chapter. It critically examines the relationship between the aphorism "A craftsman wishing to do his work well must first sharpen his tools" and the socio-ethical environment, exploring Zigong's cultivation as a "tool" and revealing Confucian methodology for practicing *ren* within concrete socio-political relations, offering guidance for practical personalities.

'An in-depth analysis of the Da You hexagram through the lens of paleography and Zhou Dynasty history. Exploring the original theology of "Great Possessing," the political structure of the hexagram, and the philosophical ladder from commoner to the Son of Heaven.'

This paper offers an in-depth interpretation of the 'Image of Music and Sound' (Sheng Yue zhi Xiang) discussed in Xunzi's 'On Music,' clarifying the Pre-Qin meaning of 'Xiang' (image/analogy) and elucidating how the qualities of sound correspond to the myriad things in the cosmos. It further situates this correspondence within Xunzi's Confucian framework of 'transforming human nature through rites and music' to explore the cosmological significance and pedagogical function of music.