Starting from the mathematical structure of Taiji, the Two Modes, Four Images, and Eight Trigrams in the Book of Changes, this article systematically explores the information-carrying capacity of Bazi and Qimen Dunjia as divinatory systems. Through analysis of Yin-Yang, the Five Phases, the Hetu and Luoshu, and other classical mathematical foundations, it seeks to provide a unified perspective for measuring and comparing the information volume of these two arts.

'An in-depth analysis of the core differences between the "Life Chart" (Mingpan / Zhongshen Pan) and the "Hourly Chart" (Shi Pan / Shijia Qimen) in Qimen Dunjia. Exploring from the dimensions of temporal scope, analytical logic, application range, and philosophical essence, this article reveals the dialectical relationship between fate and contingency in Yixue divination.'

A thorough exploration of the principles behind Qimen Dunjia's capacity for 'multiple judgments from a single chart.' Through holographic cosmology, multidimensional coordinate systems, the symbolic system of universal correspondences, and the shifting of Taiji focal points, this article dissects the core mechanisms of what is regarded as the highest art of divination in ancient China.

This article provides a rigorous philological and historical analysis of the Analects passage, "Alas! I have never seen anyone who loves virtue as much as they love physical beauty." By examining the inherent tension between natural human desire and moral cultivation, the study reconstructs Confucius’ profound disillusionment with the human condition while elucidating the Confucian imperative of prioritizing moral integrity in governance.

This scholarly examination of Duanmu Ci reconstructs the legendary life of Zigong by situating him within the multifaceted contexts of Pre-Qin diplomacy, mercantile economy, and intellectual discourse. By transcending the reductive label of a mere merchant, the study recovers his stature as a profound Confucian philosopher and intimate associate of Confucius, thereby elucidating the foundational layers and cultural roots of Pre-Qin civilization.

This article offers an in-depth interpretation of Lichun (the Beginning of Spring), the first of the Twenty-Four Solar Terms, through the multiple lenses of pre-Qin Confucian and Daoist philosophy, philology, and astronomical phenomenology. By tracing the origin of the character "chun" (萅), the image of the three yang lines ascending in the Tai hexagram, and the mythic archetype of the wood spirit Goumang, it reveals the profound significance of Lichun as the node of the year's beginning and the origination of all things, returning readers to the ancient world of the ancestors' communion between Heaven and humanity.