'An in-depth analysis of the core differences between the "Life Chart" (Mingpan / Zhongshen Pan) and the "Hourly Chart" (Shi Pan / Shijia Qimen) in Qimen Dunjia. Exploring from the dimensions of temporal scope, analytical logic, application range, and philosophical essence, this article reveals the dialectical relationship between fate and contingency in Yixue divination.'

A thorough exploration of the principles behind Qimen Dunjia's capacity for 'multiple judgments from a single chart.' Through holographic cosmology, multidimensional coordinate systems, the symbolic system of universal correspondences, and the shifting of Taiji focal points, this article dissects the core mechanisms of what is regarded as the highest art of divination in ancient China.

Starting from the mathematical structure of Taiji, the Two Modes, Four Images, and Eight Trigrams in the Book of Changes, this article systematically explores the information-carrying capacity of Bazi and Qimen Dunjia as divinatory systems. Through analysis of Yin-Yang, the Five Phases, the Hetu and Luoshu, and other classical mathematical foundations, it seeks to provide a unified perspective for measuring and comparing the information volume of these two arts.

This article deeply analyzes the semantic fission of the character "ming" (命) in pre-Qin thought, tracing its evolution from divine mandate and innate nature to an active mission, demonstrating that it was not passive fatalism but rather proactive assumption of responsibility beyond cognitive horizons. By re-examining core propositions like Confucius's "knowing the mandate of Heaven," the study reveals the dynamic relationship of Heaven-human interaction in pre-Qin philosophy, showcasing the robust subjectivity and sense of mission within traditional Chinese culture.

The Five Combinations of the Heavenly Stems (Jia-Ji combining into Earth, Yi-Geng into Metal, Bing-Xin into Water, Ding-Ren into Wood, Wu-Gui into Fire) constitute one of the most fundamental yet mysterious theories in Chinese metaphysical arts. This article delves into the profound principles behind them, analyzing various conjectures and demonstrations of 'combination and transformation of qi' from dimensions including the Hetu numerology, celestial astronomy, and the Five Phases and Six Qi system, revealing the cosmic vision underlying this ancient law.

This essay undertakes an in-depth study of the 'Yi' ode from the Greater Odes (Daya) section of the Classic of Poetry (Shijing) through the lens of pre-Qin thought. It examines the philological origins of the character 'yi' (restraint), confirms Duke Wu of Wei as its author with 'self-vigilance' as its guiding purpose, and elucidates the poem's emphasis on dignity, virtue, its critique of King Li's misgovernance, and its enduring political philosophy and moral cultivation significance.