A thorough exploration of the principles behind Qimen Dunjia's capacity for 'multiple judgments from a single chart.' Through holographic cosmology, multidimensional coordinate systems, the symbolic system of universal correspondences, and the shifting of Taiji focal points, this article dissects the core mechanisms of what is regarded as the highest art of divination in ancient China.

Starting from the mathematical structure of Taiji, the Two Modes, Four Images, and Eight Trigrams in the Book of Changes, this article systematically explores the information-carrying capacity of Bazi and Qimen Dunjia as divinatory systems. Through analysis of Yin-Yang, the Five Phases, the Hetu and Luoshu, and other classical mathematical foundations, it seeks to provide a unified perspective for measuring and comparing the information volume of these two arts.

'An in-depth analysis of the core differences between the "Life Chart" (Mingpan / Zhongshen Pan) and the "Hourly Chart" (Shi Pan / Shijia Qimen) in Qimen Dunjia. Exploring from the dimensions of temporal scope, analytical logic, application range, and philosophical essence, this article reveals the dialectical relationship between fate and contingency in Yixue divination.'

This article offers an in-depth reading of the 'Jiebi' chapter of the Xunzi, exploring the cognitive roots of the 'calamity of obscuration' among the pre-Qin thinkers. Through an analysis of 'the Dao embodies constancy and encompasses all change,' it reveals the predicament of human cognition clinging to 'a single corner,' and elucidates the transcendent value of Confucius's 'benevolence and wisdom, unobscured,' with the aim of understanding how to overcome cognitive bias.

This article offers an in-depth interpretation of Xiaoman (Grain Full), one of the twenty-four solar terms, drawing on pre-Qin Confucian and Daoist philosophy, philology, astronomy, and phenology. Through the etymology of "full yet not overflowing," and the phenological signs of bitter herbs flourishing and wheat's autumn arriving, it reveals the deep meaning behind why the twenty-four solar terms include a "small fullness" (Xiaoman) but no "great fullness"—illuminating the ancient Chinese wisdom of guarding against excess, prizing humility, of loss following fullness and gain following modesty, of completeness found even in imperfection, and the venerable cosmology of the unity of Heaven and humanity.

Drawing on pre-Qin Confucian and Daoist philosophy, etymology, astronomy, phenology, and the legend of Cangjie's invention of writing, this article offers an in-depth reading of the Guyu (Grain Rain) solar term. It examines the humane grace of Heaven and Earth embodied in "rain giving birth to the hundred grains," the firm-yet-yielding way of hexagram Guai's "resolving away the last remnant of yin," and the profound meaning behind "Heaven rained down millet, and ghosts wept in the night" at the origin of writing—returning readers to the ancient world of the unity of Heaven and humanity.