A thorough exploration of the principles behind Qimen Dunjia's capacity for 'multiple judgments from a single chart.' Through holographic cosmology, multidimensional coordinate systems, the symbolic system of universal correspondences, and the shifting of Taiji focal points, this article dissects the core mechanisms of what is regarded as the highest art of divination in ancient China.

Starting from the mathematical structure of Taiji, the Two Modes, Four Images, and Eight Trigrams in the Book of Changes, this article systematically explores the information-carrying capacity of Bazi and Qimen Dunjia as divinatory systems. Through analysis of Yin-Yang, the Five Phases, the Hetu and Luoshu, and other classical mathematical foundations, it seeks to provide a unified perspective for measuring and comparing the information volume of these two arts.

'An in-depth analysis of the core differences between the "Life Chart" (Mingpan / Zhongshen Pan) and the "Hourly Chart" (Shi Pan / Shijia Qimen) in Qimen Dunjia. Exploring from the dimensions of temporal scope, analytical logic, application range, and philosophical essence, this article reveals the dialectical relationship between fate and contingency in Yixue divination.'

This article offers an in-depth reading of the chapters on 'the virtue of ghosts and spirits' and 'sincerity is self-completing' in the Zhongyong, exploring their significance as the core of Confucian metaphysics. Through an analysis of pre-Qin conceptions of ghosts and spirits, it demonstrates that the chapter on spirits serves to prove that 'sincerity cannot be concealed,' and further elucidates how the substance of cheng (sincerity) matches Heaven and supports all things, revealing the ontological foundation of the Doctrine of the Mean.

This article takes as its core text the 'Ox Mountain' chapter from the Gaozi section of the Mengzi, and draws upon a wide range of pre-Qin philosophical sources to analyze the argumentative structure for innate human goodness, the mechanisms by which external forces damage the heart-mind, and the philosophical foundations and cultivation methods of the theory of innate goodness.

This essay undertakes an in-depth study of the 'Yi' ode from the Greater Odes (Daya) section of the Classic of Poetry (Shijing) through the lens of pre-Qin thought. It examines the philological origins of the character 'yi' (restraint), confirms Duke Wu of Wei as its author with 'self-vigilance' as its guiding purpose, and elucidates the poem's emphasis on dignity, virtue, its critique of King Li's misgovernance, and its enduring political philosophy and moral cultivation significance.