A thorough exploration of the principles behind Qimen Dunjia's capacity for 'multiple judgments from a single chart.' Through holographic cosmology, multidimensional coordinate systems, the symbolic system of universal correspondences, and the shifting of Taiji focal points, this article dissects the core mechanisms of what is regarded as the highest art of divination in ancient China.

Starting from the mathematical structure of Taiji, the Two Modes, Four Images, and Eight Trigrams in the Book of Changes, this article systematically explores the information-carrying capacity of Bazi and Qimen Dunjia as divinatory systems. Through analysis of Yin-Yang, the Five Phases, the Hetu and Luoshu, and other classical mathematical foundations, it seeks to provide a unified perspective for measuring and comparing the information volume of these two arts.

'An in-depth analysis of the core differences between the "Life Chart" (Mingpan / Zhongshen Pan) and the "Hourly Chart" (Shi Pan / Shijia Qimen) in Qimen Dunjia. Exploring from the dimensions of temporal scope, analytical logic, application range, and philosophical essence, this article reveals the dialectical relationship between fate and contingency in Yixue divination.'

This article offers an in-depth reading of the chapters on 'the virtue of ghosts and spirits' and 'sincerity is self-completing' in the Zhongyong, exploring their significance as the core of Confucian metaphysics. Through an analysis of pre-Qin conceptions of ghosts and spirits, it demonstrates that the chapter on spirits serves to prove that 'sincerity cannot be concealed,' and further elucidates how the substance of cheng (sincerity) matches Heaven and supports all things, revealing the ontological foundation of the Doctrine of the Mean.

This article offers a deep reading of the core passage in the Guanzi: Neiye — 'That which can transform a single thing is called shen (spirit); that which can adapt to a single affair is called zhi (wisdom)' — systematically tracing the philosophical categories of shen, zhi, jing, qi, and dao in the pre-Qin era, elucidating their pivotal role in the cultivation of mind and character and in the Way of inner sageliness and outer kingliness, striving to recover the original intent of the ancients.

This article offers an in-depth interpretation of Lichun (the Beginning of Spring), the first of the Twenty-Four Solar Terms, through the multiple lenses of pre-Qin Confucian and Daoist philosophy, philology, and astronomical phenomenology. By tracing the origin of the character "chun" (萅), the image of the three yang lines ascending in the Tai hexagram, and the mythic archetype of the wood spirit Goumang, it reveals the profound significance of Lichun as the node of the year's beginning and the origination of all things, returning readers to the ancient world of the ancestors' communion between Heaven and humanity.