A thorough exploration of the principles behind Qimen Dunjia's capacity for 'multiple judgments from a single chart.' Through holographic cosmology, multidimensional coordinate systems, the symbolic system of universal correspondences, and the shifting of Taiji focal points, this article dissects the core mechanisms of what is regarded as the highest art of divination in ancient China.

Starting from the mathematical structure of Taiji, the Two Modes, Four Images, and Eight Trigrams in the Book of Changes, this article systematically explores the information-carrying capacity of Bazi and Qimen Dunjia as divinatory systems. Through analysis of Yin-Yang, the Five Phases, the Hetu and Luoshu, and other classical mathematical foundations, it seeks to provide a unified perspective for measuring and comparing the information volume of these two arts.

'An in-depth analysis of the core differences between the "Life Chart" (Mingpan / Zhongshen Pan) and the "Hourly Chart" (Shi Pan / Shijia Qimen) in Qimen Dunjia. Exploring from the dimensions of temporal scope, analytical logic, application range, and philosophical essence, this article reveals the dialectical relationship between fate and contingency in Yixue divination.'

This article offers an in-depth investigation into the pre-Qin, high-antiquity origins and inner rationale of the Six Combinations and their Qi transformations among the Twelve Earthly Branches (e.g., Zi-Chou combining to transform into Earth). Through textual examination of the Earthly Branches' origins, their connection with Jupiter's orbital cycle, the correspondences between the twelve months and the twelve sovereign hexagrams, and the spatial positioning of the four Earth-branches at the four inter-cardinal directions, the essay reveals the profound astronomical and yin-yang philosophical underpinnings of the Earthly Branch system as a cornerstone of Chinese metaphysical arts.

This essay undertakes an in-depth study of the 'Yi' ode from the Greater Odes (Daya) section of the Classic of Poetry (Shijing) through the lens of pre-Qin thought. It examines the philological origins of the character 'yi' (restraint), confirms Duke Wu of Wei as its author with 'self-vigilance' as its guiding purpose, and elucidates the poem's emphasis on dignity, virtue, its critique of King Li's misgovernance, and its enduring political philosophy and moral cultivation significance.

This article provides a rigorous exegesis of the *Analects* passage regarding Zang Wenzhong’s "usurpation of position," utilizing philological analysis and historical contextualization to examine the political ethics underlying his failure to promote the virtuous Liuxia Hui. By synthesizing evidence from the *Zuo Zhuan* and the *Records of the Grand Historian*, the study elucidates Confucius's profound discourse on the legitimacy of political authority and the moral imperatives of personnel selection.