'An in-depth analysis of the core differences between the "Life Chart" (Mingpan / Zhongshen Pan) and the "Hourly Chart" (Shi Pan / Shijia Qimen) in Qimen Dunjia. Exploring from the dimensions of temporal scope, analytical logic, application range, and philosophical essence, this article reveals the dialectical relationship between fate and contingency in Yixue divination.'

A thorough exploration of the principles behind Qimen Dunjia's capacity for 'multiple judgments from a single chart.' Through holographic cosmology, multidimensional coordinate systems, the symbolic system of universal correspondences, and the shifting of Taiji focal points, this article dissects the core mechanisms of what is regarded as the highest art of divination in ancient China.

Starting from the mathematical structure of Taiji, the Two Modes, Four Images, and Eight Trigrams in the Book of Changes, this article systematically explores the information-carrying capacity of Bazi and Qimen Dunjia as divinatory systems. Through analysis of Yin-Yang, the Five Phases, the Hetu and Luoshu, and other classical mathematical foundations, it seeks to provide a unified perspective for measuring and comparing the information volume of these two arts.

This article offers an in-depth reading of the 'Jiebi' chapter of the Xunzi, exploring the cognitive roots of the 'calamity of obscuration' among the pre-Qin thinkers. Through an analysis of 'the Dao embodies constancy and encompasses all change,' it reveals the predicament of human cognition clinging to 'a single corner,' and elucidates the transcendent value of Confucius's 'benevolence and wisdom, unobscured,' with the aim of understanding how to overcome cognitive bias.

Drawing on pre-Qin Confucian and Daoist philosophy, etymology, astronomy, phenology, and the legend of Cangjie's invention of writing, this article offers an in-depth reading of the Guyu (Grain Rain) solar term. It examines the humane grace of Heaven and Earth embodied in "rain giving birth to the hundred grains," the firm-yet-yielding way of hexagram Guai's "resolving away the last remnant of yin," and the profound meaning behind "Heaven rained down millet, and ghosts wept in the night" at the origin of writing—returning readers to the ancient world of the unity of Heaven and humanity.

This article offers an in-depth reading of the chapters on 'the virtue of ghosts and spirits' and 'sincerity is self-completing' in the Zhongyong, exploring their significance as the core of Confucian metaphysics. Through an analysis of pre-Qin conceptions of ghosts and spirits, it demonstrates that the chapter on spirits serves to prove that 'sincerity cannot be concealed,' and further elucidates how the substance of cheng (sincerity) matches Heaven and supports all things, revealing the ontological foundation of the Doctrine of the Mean.