A thorough exploration of the principles behind Qimen Dunjia's capacity for 'multiple judgments from a single chart.' Through holographic cosmology, multidimensional coordinate systems, the symbolic system of universal correspondences, and the shifting of Taiji focal points, this article dissects the core mechanisms of what is regarded as the highest art of divination in ancient China.

'An in-depth analysis of the core differences between the "Life Chart" (Mingpan / Zhongshen Pan) and the "Hourly Chart" (Shi Pan / Shijia Qimen) in Qimen Dunjia. Exploring from the dimensions of temporal scope, analytical logic, application range, and philosophical essence, this article reveals the dialectical relationship between fate and contingency in Yixue divination.'

Starting from the mathematical structure of Taiji, the Two Modes, Four Images, and Eight Trigrams in the Book of Changes, this article systematically explores the information-carrying capacity of Bazi and Qimen Dunjia as divinatory systems. Through analysis of Yin-Yang, the Five Phases, the Hetu and Luoshu, and other classical mathematical foundations, it seeks to provide a unified perspective for measuring and comparing the information volume of these two arts.

An introduction to the Xici Zhuan (Appended Statements) of the Zhouyi, written for a faraway reader. Beginning with the fundamental concepts of hexagrams, lines, yin-yang, and the high and the low, it clarifies the composition and reading of the Xici, dispels the most common misunderstandings of beginners and overseas readers, and paves the way for a close study of the twelve chapters of the Upper Xici.

This article offers a deep reading of Yushui (Rain Water) among the Twenty-Four Solar Terms, drawing on pre-Qin Confucian and Daoist philosophy, etymology, and astronomical phenology. Through an examination of the original meanings of the characters "雨" (rain) and "水" (water), the astronomical positioning of the sun at 330° of celestial longitude, and the three phenological signs of the term, combined with Laozi's teaching that 'the highest good is like water,' Guanzi's view of water as the origin of all things, and the Book of Changes' vision of Heaven-One begetting water and clouds moving to bring forth rain, the essay reveals the virtue of water and the meaning—between Heaven and humanity—of spring rain nourishing all things.

This article offers an in-depth reading of the central proposition 'When the inner universe is tranquil and settled, celestial light emanates' from the Gengsang Chu chapter of the Zhuangzi, integrating pre-Qin classical sources to elucidate its five-layered philosophical architecture: inner stillness, the sympathetic resonance of Heaven and humanity, the transcendence of intellective limits, and the order of the celestial Way.