'An in-depth analysis of the core differences between the "Life Chart" (Mingpan / Zhongshen Pan) and the "Hourly Chart" (Shi Pan / Shijia Qimen) in Qimen Dunjia. Exploring from the dimensions of temporal scope, analytical logic, application range, and philosophical essence, this article reveals the dialectical relationship between fate and contingency in Yixue divination.'

Starting from the mathematical structure of Taiji, the Two Modes, Four Images, and Eight Trigrams in the Book of Changes, this article systematically explores the information-carrying capacity of Bazi and Qimen Dunjia as divinatory systems. Through analysis of Yin-Yang, the Five Phases, the Hetu and Luoshu, and other classical mathematical foundations, it seeks to provide a unified perspective for measuring and comparing the information volume of these two arts.

A thorough exploration of the principles behind Qimen Dunjia's capacity for 'multiple judgments from a single chart.' Through holographic cosmology, multidimensional coordinate systems, the symbolic system of universal correspondences, and the shifting of Taiji focal points, this article dissects the core mechanisms of what is regarded as the highest art of divination in ancient China.

This article delves into the system of auspiciousness and misfortune within the 384 line statements of the Zhouyi, focusing on the deeper meaning of 'ji' (auspiciousness), and through a thorough survey and comparison of 'yuanji' (supremely auspicious) and other high-grade auspicious judgments, seeks to identify the most auspicious line in the Zhouyi and reveal the philosophical wisdom and practical guidance it embodies.

This article offers a deep reading of the core passage in the Guanzi: Neiye — 'That which can transform a single thing is called shen (spirit); that which can adapt to a single affair is called zhi (wisdom)' — systematically tracing the philosophical categories of shen, zhi, jing, qi, and dao in the pre-Qin era, elucidating their pivotal role in the cultivation of mind and character and in the Way of inner sageliness and outer kingliness, striving to recover the original intent of the ancients.

This essay undertakes an in-depth study of the 'Yi' ode from the Greater Odes (Daya) section of the Classic of Poetry (Shijing) through the lens of pre-Qin thought. It examines the philological origins of the character 'yi' (restraint), confirms Duke Wu of Wei as its author with 'self-vigilance' as its guiding purpose, and elucidates the poem's emphasis on dignity, virtue, its critique of King Li's misgovernance, and its enduring political philosophy and moral cultivation significance.