Starting from the mathematical structure of Taiji, the Two Modes, Four Images, and Eight Trigrams in the Book of Changes, this article systematically explores the information-carrying capacity of Bazi and Qimen Dunjia as divinatory systems. Through analysis of Yin-Yang, the Five Phases, the Hetu and Luoshu, and other classical mathematical foundations, it seeks to provide a unified perspective for measuring and comparing the information volume of these two arts.

'An in-depth analysis of the core differences between the "Life Chart" (Mingpan / Zhongshen Pan) and the "Hourly Chart" (Shi Pan / Shijia Qimen) in Qimen Dunjia. Exploring from the dimensions of temporal scope, analytical logic, application range, and philosophical essence, this article reveals the dialectical relationship between fate and contingency in Yixue divination.'

A thorough exploration of the principles behind Qimen Dunjia's capacity for 'multiple judgments from a single chart.' Through holographic cosmology, multidimensional coordinate systems, the symbolic system of universal correspondences, and the shifting of Taiji focal points, this article dissects the core mechanisms of what is regarded as the highest art of divination in ancient China.

This article offers a deep reading of Major Snow (Daxue) among the twenty-four solar terms, drawing upon pre-Qin Confucian and Daoist philosophy, etymological origins, astronomy, and phenology. It analyzes the etymology of 'da means flourishing — at this point snow flourishes,' examines the Hexagram of Return (Fu) with its 'single yang returning' in the zi month, and reveals the virtue of auspicious snow sealing and protecting nascent yang, along with the profound cosmology of 'supreme yin birthing yang — the heart of Heaven and Earth.'

Drawing on pre-Qin Confucian and Daoist philosophy, etymology, astronomy, phenology, and the legend of Cangjie's invention of writing, this article offers an in-depth reading of the Guyu (Grain Rain) solar term. It examines the humane grace of Heaven and Earth embodied in "rain giving birth to the hundred grains," the firm-yet-yielding way of hexagram Guai's "resolving away the last remnant of yin," and the profound meaning behind "Heaven rained down millet, and ghosts wept in the night" at the origin of writing—returning readers to the ancient world of the unity of Heaven and humanity.

This study offers a profound analysis of the *Zhengming* chapter in the *Xunzi*, specifically examining the philosophical implications of "the perfected names of the later kings" and "dispersed names." By situating Xunzi’s theory within the broader discourse of Pre-Qin thought, the article elucidates how the rectification of names functions as a critical nexus for political governance, social order, and epistemological framework.