'An in-depth analysis of the core differences between the "Life Chart" (Mingpan / Zhongshen Pan) and the "Hourly Chart" (Shi Pan / Shijia Qimen) in Qimen Dunjia. Exploring from the dimensions of temporal scope, analytical logic, application range, and philosophical essence, this article reveals the dialectical relationship between fate and contingency in Yixue divination.'

Starting from the mathematical structure of Taiji, the Two Modes, Four Images, and Eight Trigrams in the Book of Changes, this article systematically explores the information-carrying capacity of Bazi and Qimen Dunjia as divinatory systems. Through analysis of Yin-Yang, the Five Phases, the Hetu and Luoshu, and other classical mathematical foundations, it seeks to provide a unified perspective for measuring and comparing the information volume of these two arts.

A thorough exploration of the principles behind Qimen Dunjia's capacity for 'multiple judgments from a single chart.' Through holographic cosmology, multidimensional coordinate systems, the symbolic system of universal correspondences, and the shifting of Taiji focal points, this article dissects the core mechanisms of what is regarded as the highest art of divination in ancient China.

This article focuses on the opening chapter of the Guiguzi, 'Enriching the Spirit by Emulating the Five Dragons' (Sheng Shen Fa Wu Long), offering exegesis and critical analysis of the original text from a Pre-Qin perspective, drawing upon texts no later than the two Han dynasties. It explores the meaning of 'enriching the spirit,' the cosmogony of Dao and Qi, the distinction between the True Person and the Sage, and the inner connections among method, spirit, mind, and vital breath, aiming to reveal this chapter's scholarly value as the programmatic foundation of the entire Guiguzi.

This article offers an in-depth interpretation of the opening discourse on the Dao in the Guanzi 'Neiye' (Inner Cultivation), analyzing the threefold nature of 'thorough and dense, broad and expansive, firm and steadfast,' its dialectical unity, and its significance for self-cultivation within the intellectual context of pre-Qin and high antiquity.

This article offers an in-depth reading of the central proposition 'When the inner universe is tranquil and settled, celestial light emanates' from the Gengsang Chu chapter of the Zhuangzi, integrating pre-Qin classical sources to elucidate its five-layered philosophical architecture: inner stillness, the sympathetic resonance of Heaven and humanity, the transcendence of intellective limits, and the order of the celestial Way.