'An in-depth analysis of the core differences between the "Life Chart" (Mingpan / Zhongshen Pan) and the "Hourly Chart" (Shi Pan / Shijia Qimen) in Qimen Dunjia. Exploring from the dimensions of temporal scope, analytical logic, application range, and philosophical essence, this article reveals the dialectical relationship between fate and contingency in Yixue divination.'

Starting from the mathematical structure of Taiji, the Two Modes, Four Images, and Eight Trigrams in the Book of Changes, this article systematically explores the information-carrying capacity of Bazi and Qimen Dunjia as divinatory systems. Through analysis of Yin-Yang, the Five Phases, the Hetu and Luoshu, and other classical mathematical foundations, it seeks to provide a unified perspective for measuring and comparing the information volume of these two arts.

A thorough exploration of the principles behind Qimen Dunjia's capacity for 'multiple judgments from a single chart.' Through holographic cosmology, multidimensional coordinate systems, the symbolic system of universal correspondences, and the shifting of Taiji focal points, this article dissects the core mechanisms of what is regarded as the highest art of divination in ancient China.

This article offers a deep reading of the core proposition in the Xici Shangzhuan — 'What the junzi dwells in and finds peace in is the order of the Yi' — integrating the pre-Qin context, the Confucian scholarly lineage, and the structure of the Zhouyi to elucidate how the junzi, by embodying the Way of Heaven and Earth, takes the Yi as the foundation of settled existence, contemplates the images and savors the statements, and ultimately attains the state of 'auspiciousness with nothing unfavorable.'

This essay offers an in-depth reading of the passage on 'the imagery of music' (sheng yue zhi xiang) in Xunzi's 'Discourse on Music,' elucidating how musical sounds embody character-qualities that correspond to heaven, earth, and the myriad things, and situating the discussion within Master Xun's Confucian vision of transforming human nature through ritual and music.

This article offers an in-depth reading of the opening core text of Xunzi's Discourse on Ritual (Lilun), systematically analyzing the logical chain by which ritual arises from human desire and social conflict, elucidating the structural vision of 'honoring the root is called pattern; cleaving to function is called order,' and exploring the graduated levels of abundance, reduction, and the middle course in ritual, together with the Way of the noble person.