Starting from the mathematical structure of Taiji, the Two Modes, Four Images, and Eight Trigrams in the Book of Changes, this article systematically explores the information-carrying capacity of Bazi and Qimen Dunjia as divinatory systems. Through analysis of Yin-Yang, the Five Phases, the Hetu and Luoshu, and other classical mathematical foundations, it seeks to provide a unified perspective for measuring and comparing the information volume of these two arts.

A thorough exploration of the principles behind Qimen Dunjia's capacity for 'multiple judgments from a single chart.' Through holographic cosmology, multidimensional coordinate systems, the symbolic system of universal correspondences, and the shifting of Taiji focal points, this article dissects the core mechanisms of what is regarded as the highest art of divination in ancient China.

'An in-depth analysis of the core differences between the "Life Chart" (Mingpan / Zhongshen Pan) and the "Hourly Chart" (Shi Pan / Shijia Qimen) in Qimen Dunjia. Exploring from the dimensions of temporal scope, analytical logic, application range, and philosophical essence, this article reveals the dialectical relationship between fate and contingency in Yixue divination.'

This article investigates the central thesis of the Xi Ci Shang Zhuan (Great Commentary, Upper Section) of the Zhouyi — how the sage transforms the hidden textures of reality (ze) into externalized images (xiang) through the cognitive leap of 'gazing upward and examining below.' It reveals the inner connection between yao (lines) and ancient ceremonial institutions, reconstructing the foundations of Yijing theory.

This article offers an in-depth philological investigation of the passage from the Xici Shangzhuan (Great Commentary on the Yijing): 'The junzi, when at rest, contemplates the images and savors the texts; when about to act, observes the transformations and savors the divination.' It restores how the pre-Qin junzi attained existential security through apprehending the 'order' (xu) of the Yi, and internalized cosmic order into personal cultivation through an attitude of aesthetic 'savoring' (wan).

Argued across four dimensions — the judgment text, the line's position, cross-verification between the Classic and its Commentary, and philosophical meaning — this essay shows why the top nine of Hexagram Dayou (Great Possession) stands first among the 384 lines of the Book of Changes: 'Aided by Heaven, fortune — nothing unfavorable' is the only unconditional, supreme judgment in the entire classic, while the Great Treatise, speaking in the Master's own voice, supplies the operative mechanism for attaining such fortune — 'treading on trust, cherishing compliance, and honoring the worthy.'