East Wind Melts the Ice: The Way of the New Year's Beginning and the Origination of All Things in Lichun
This article offers an in-depth interpretation of Lichun (the Beginning of Spring), the first of the Twenty-Four Solar Terms, through the multiple lenses of pre-Qin Confucian and Daoist philosophy, philology, and astronomical phenomenology. By tracing the origin of the character "chun" (萅), the image of the three yang lines ascending in the Tai hexagram, and the mythic archetype of the wood spirit Goumang, it reveals the profound significance of Lichun as the node of the year's beginning and the origination of all things, returning readers to the ancient world of the ancestors' communion between Heaven and humanity.

Chapter 6: The Tai Hexagram of the Zhouyi and Lichun: The Cosmology of "Three Yang Lines Opening into Tai"
I. The Twelve Sovereign Hexagrams: A Complete Panorama of Yin and Yang's Waxing and Waning through the Year
The Zhouyi is the encyclopedia of pre-Qin thought, containing within it the most profound insight into the laws governing the operation of the cosmos. Although the Zhouyi does not directly discuss the Twenty-Four Solar Terms, its system of hexagram images—especially the "Twelve Sovereign Hexagrams" (十二消息卦)—corresponds precisely and profoundly to the process by which yin and yang wax and wane across the year. To understand Lichun's place within the Zhouyi, we must first understand the Twelve Sovereign Hexagrams.
The so-called "Twelve Sovereign Hexagrams" correlate twelve hexagram images with the twelve months, each hexagram being composed of a different ratio of Qian (yang) and Kun (yin) lines, thereby fully displaying the entire process by which yin and yang wax and wane across the year. "Waning" (消) refers to the decrease of yang lines and increase of yin lines; "waxing" (息) refers to the increase of yang lines and decrease of yin lines. Let us trace this cycle in full:
The eleventh month, the Fu hexagram (䷗, Return, one yang line born)—the month of the Winter Solstice, a single yang line returning within the utmost yin; the twelfth month, the Lin hexagram (䷒, Approach, two yang lines growing)—yang qi gradually growing, already two yang lines; the first month, the Tai hexagram (䷊, Peace, three yang lines opening into Tai)—the month in which Lichun falls, yang qi having risen to three lines, the lower trigram pure yang, Heaven and Earth in communion; the second month, the Dazhuang hexagram (䷡, Great Strength, four yang lines flourishing)—yang qi even more abundant, already four yang lines; the third month, the Guai hexagram (䷪, Resolution, five yang lines resolving away yin)—yang qi almost entirely dominant, only a single yin line remaining above, about to be resolved away; the fourth month, the Qian hexagram (䷀, The Creative, six yang lines, pure yang)—yang qi at its utmost, all six lines yang. Thereafter yin qi begins to be born— the fifth month, the Gou hexagram (䷫, Coming to Meet, one yin line born)—the month of the Summer Solstice, a single yin line first sprouting within the utmost yang; the sixth month, the Dun hexagram (䷠, Retreat, two yin lines growing); the seventh month, the Pi hexagram (䷋, Standstill, three yin and three yang lines, Heaven and Earth not in communion); the eighth month, the Guan hexagram (䷓, Contemplation, four yin lines flourishing); the ninth month, the Bo hexagram (䷖, Splitting Apart, five yin lines stripping away yang); the tenth month, the Kun hexagram (䷁, The Receptive, six yin lines, pure yin)—yin qi at its utmost, all six lines yin. Thereafter the cycle returns once more to the eleventh month's Fu hexagram, cycling without end.
Within this grand panorama of yin and yang's waxing and waning, the first month, in which Lichun falls, corresponds precisely to the Tai hexagram (䷊). This is an extremely important, extremely auspicious position.
II. Earth over Heaven, Tai: Why Does "Qian Below, Kun Above" Signify "Communion"$16
The image of the Tai hexagram, at first glance, appears "inverted"—it has Qian (☰, Heaven) below and Kun (☷, Earth) above, hence it is also called "Earth over Heaven, Tai" (地天泰). This seems strange: Heaven properly belongs above, Earth properly belongs below—why does the Tai hexagram specifically place Heaven below and Earth above$17 And why is such a hexagram, with "Heaven and Earth inverted," not called "chaos" or "peril," but rather "Tai" (通泰, communion; 安泰, peace; 亨通, smooth passage)$18
This is precisely where the Zhouyi's most profound wisdom lies, and is the key to understanding Lichun's "three yang lines opening into Tai."
The ancients' insight was this: the nature of Heaven's qi is to "rise" (that which is light and pure floats upward to become Heaven), while the nature of Earth's qi is to "descend" (that which is heavy and turbid sinks downward to become Earth). If Heaven were above and Earth below, then Heaven's qi would continue rising and Earth's qi would continue sinking, and the two would drift ever further apart, never meeting—such a state, with each "occupying its proper position," appears normal, but is in fact "non-communion," "blockage," "Pi" (否, Standstill). Conversely, if Heaven is below and Earth above, then Heaven's qi below must rise, and Earth's qi above must descend, and the two will meet, interact, and interpenetrate in the middle—this "inversion of position" is precisely what brings about the "communion" of Heaven and Earth's qi.
The "Tuan Commentary" on the Tai hexagram states this principle with utmost clarity: "Tai: the small departs and the great arrives; there is good fortune and success. This means Heaven and Earth are in communion and the myriad things flow freely; the high and the low are in communion and their aims are the same. Yang within and yin without; vigor within and yielding without; the noble person within and the petty person without—the Way of the noble person grows, and the Way of the petty person wanes" (泰,小往大来,吉亨。则是天地交而万物通也,上下交而其志同也。内阳而外阴,内健而外顺,内君子而外小人,君子道长,小人道消也).
"Heaven and Earth are in communion and the myriad things flow freely"—the qi of Heaven and Earth interacts, and thus the myriad things achieve smooth flow; "the high and the low are in communion and their aims are the same"—high and low interact, and thus their intentions become one. This is the true meaning of "Tai": Tai is not a static order in which each occupies its fixed position, but a dynamic harmony in which high and low interact and yin and yang interpenetrate. And this is precisely what is happening between Heaven and Earth at the season of Lichun! At the time of Lichun, the yang qi hidden beneath the earth begins to strain upward with all its force, while the sunlight and warmth descending from Heaven begins to reach the ground, and thus the qi of Heaven and Earth meets and interpenetrates at the earth's surface—frozen soil dissolves, the east wind brings warmth, vitality sprouts. This scene of "Heaven and Earth in communion, the myriad things flowing freely" is precisely the living manifestation, in the natural world, of the image of the Tai hexagram. Lichun is precisely the season of "Earth over Heaven, Tai."
III. "Three Yang Lines Opening into Tai": The Auspicious Image of Yang Qi's Step-by-Step Ascent
"Three yang lines opening into Tai" (三阳开泰) is a widely circulated auspicious saying, often used in New Year's greetings. But many are unaware that its original meaning derives precisely from the Tai hexagram of the first month, in which Lichun falls.
The "three yang lines" refer to the three yang lines of the lower trigram (inner trigram) of the Tai hexagram. From the "single yang line" of the eleventh month's Fu hexagram, to the "two yang lines" of the twelfth month's Lin hexagram, to the "three yang lines" of the first month's Tai hexagram—yang qi rises step by step, and by the first month, all three lines of the lower trigram have become yang lines; pure yang Qian stands established below, and the momentum of vigorous ascent has taken form. With the "three yang lines" complete, the lower trigram's Qian (Heaven, yang) now possesses sufficient force to rise upward and interpenetrate, and thus "Tai opens"—opening the smooth-flowing configuration of "Heaven and Earth in communion, the myriad things flowing freely."
How exquisitely the four characters "three yang lines opening into Tai" summarize the cosmological significance of Lichun! "Three yang lines" is the process of yang qi accumulating and rising, corresponding to the entire history of yang qi's growth from the Winter Solstice's single returning yang, through the Lin hexagram's two yang lines, to Lichun's three yang lines; "opening" is the act of opening up, corresponding to Heaven and Earth's turn from winter's "closure" toward spring's "opening"; "Tai" is smooth passage, peace, corresponding to the springtime image of Heaven and Earth interacting and the myriad things flowing freely. From the Winter Solstice's latent sprouting "single yang" to Lichun's "three yang lines opening into Tai" is precisely the complete process by which yang qi moves from faint to manifest, from lying hidden beneath the earth to rising up onto its surface, from the subtle stirring of "ji" to the great achievement of "communion." This is precisely the Zhouyi-level basis for why Lichun is the year's beginning, the critical node at which all things "owe their beginning"—it is the critical juncture at which yang qi has finally accumulated to the point of being able to "open into Tai," to bring about "Heaven and Earth in communion, the myriad things flowing freely."
IV. "Heaven and Earth in Communion Is Tai; the Sovereign Thereby Regulates and Completes the Way of Heaven and Earth": Humanity's Responsibility within the Communion of Heaven and Earth
The "Image Commentary" on the Tai hexagram states: "Heaven and Earth in communion is Tai. The sovereign, observing this, thereby regulates and completes the Way of Heaven and Earth, assists and coordinates what is fitting for Heaven and Earth, and thereby guides and settles the people" (天地交,泰。后以财成天地之道,辅相天地之宜,以左右民).
Heaven and Earth interacting constitutes the image of the Tai hexagram. The sovereign ("hou"), observing this image, ought to "regulate and complete the Way of Heaven and Earth" ("cai" is used for "cai" 裁, meaning to regulate, to temper—that is, to regulate and complete the operating Way of Heaven and Earth), to "assist and coordinate what is fitting for Heaven and Earth" (assisting and harmonizing what is proper to Heaven and Earth), and thereby "guide and settle the people" (using this to guide and stabilize the common people).
This is an extremely important proposition in political philosophy, precisely answering the question: "at the season of Lichun, when Heaven and Earth are in communion, what ought humanity—especially the ruler—to do$19" The answer is: humanity is not a bystander to the communion of Heaven and Earth, but must "regulate and complete," "assist and coordinate"—actively regulating, tempering, and assisting the Way of Heaven and Earth, so that it may be more fully realized as guidance and stability for the common people.
This forms an interesting contrast with the Daoist attitude of "non-action," and also echoes, from a distance, the earlier-discussed provisions of the "Monthly Ordinances" of the Book of Rites concerning "welcoming spring at the eastern suburbs" and "spreading virtue and harmonizing ordinances." What the Zhouyi offers here is an active view of Heaven and humanity, one of participating in and assisting transformative nurture: Heaven and Earth have their own "Way" and their own "fittingness," but this "Way" and "fittingness" require humanity to "regulate and complete," "assist and coordinate," before they can be fully realized in the human world. The season of Lichun, when Heaven and Earth are in communion and vitality sprouts, is precisely the ruler's optimal moment to "regulate and complete the Way of Heaven and Earth"—according with this generative qi, spreading virtue and dispensing beneficence, not violating the farming season, lightening labor and taxation, is precisely "assisting and coordinating what is fitting for Heaven and Earth, and thereby guiding and settling the people." This spirit of "participating in the transformative nurture of Heaven and Earth" (as the Doctrine of the Mean Zhongyong of the Book of Rites puts it) is precisely the most solemn, most active aspect of the pre-Qin view of Heaven and humanity. What Lichun opens is not merely a natural season, but an opportunity for humanity to co-create with Heaven and Earth, jointly achieving the great transformation.
V. Tai Reaching Its Extreme Turns to Pi: The Consciousness of Latent Peril within Lichun's "Tai"
Yet the profundity of the Zhouyi lies precisely in this: it never allows one to become complacent in any state whatsoever—not even in so auspicious a state as "Tai." The final line of the Tai hexagram (the text of the topmost, sixth line) states: "The city wall collapses back into the moat; do not use troops; issue commands from within your own city; even upholding rectitude, there is cause for regret" (城复于隍,勿用师,自邑告命,贞吝). The city wall collapses, falling back into the dry moat that once protected it; one must not use troops; commands are issued only from within one's own domain; even holding fast to correctness, there remains cause for regret. And immediately following the Tai hexagram comes the Pi hexagram (䷋, Standstill, Heaven and Earth not in communion)—Tai reaching its extreme turns into Pi; this is the Zhouyi's fundamental admonition regarding every state of "smooth communion."
Why, at so auspicious a moment as Lichun, when all things are renewed and the three yang lines open into Tai, must we still speak of the latent peril of "Tai reaching its extreme and turning to Pi"$20 Because the Zhouyi means to tell us an unshakeable truth: no state is eternal; within Tai the seed of Pi is already gestating, just as within the generative growth that spring opens, the inevitable destiny of autumn's killing and winter's storage already lies latent. This is precisely what the Most High meant by "reversal is the movement of the Dao" (反者道之动)—return is the fundamental manner in which the Dao moves.
This attitude of maintaining a consciousness of latent peril even at the most magnificent of beginnings is one of the most mature expressions of Chinese wisdom. Lichun is certainly auspicious, brimming with hope; but the truly wise person, in celebrating "three yang lines opening into Tai," does not for this reason lose themselves, grow slack, or presume that all is henceforth secure. Quite the opposite—precisely because they deeply understand the principle that "Tai reaching its extreme turns to Pi," they become all the more cautious, all the more diligent, at this very beginning of generation and growth—just as the farmer does not, upon Lichun's arrival, presume that this year's harvest is guaranteed, but rather redoubles their labor at this "beginning," that they might not fail to live up to this good season of "Heaven and Earth in communion, the myriad things flowing freely." What the Zhouyi conveys through Lichun's "Tai" is not blind optimism, but a clear-eyed and profound wisdom of life that "rejoices in communion while yet fearing blockage."
VI. Pi Reaching Its Extreme, Tai Returns: The Cycle of Life from Winter's "Pi" to Spring's "Tai"
To fully grasp Lichun's "Tai," we must further situate it within the complete panorama of the "Pi"-"Tai" cycle. The Tai hexagram (䷊, Heaven and Earth in communion) and the Pi hexagram (䷋, Heaven and Earth not in communion) are, within the Zhouyi, a pair of mutually inverted hexagrams—invert the Tai hexagram and you obtain the Pi hexagram; invert the Pi hexagram and you obtain the Tai hexagram. They symbolize two fundamentally opposite states of the qi of Heaven and Earth: "Tai" is Heaven and Earth in communion, the myriad things flowing freely; "Pi" is Heaven and Earth sealed and closed, the myriad things obstructed. And these two states correspond precisely to spring's "communion" and winter's "closure."
Winter is the season of "Pi"—the qi of Heaven and Earth is sealed and does not interact, water freezes into ice, the ground freezes solid, all things lie hibernating and hidden, vitality lies latent beneath the earth—this is precisely the condition described by the Pi hexagram's "Heaven and Earth not in communion, the myriad things not flowing freely." And Lichun is precisely the critical turning point from "Pi" toward "Tai"—it is that great critical juncture of "Pi reaching its extreme, Tai returns" (否极泰来). This proverbial phrase, "Pi reaching its extreme, Tai returns," has its root precisely in the cycle of the Pi and Tai hexagrams within the Zhouyi: when Pi reaches its extreme (winter's closure and storage at its deepest), Tai is bound to arrive (spring's generation and growth about to open). Lichun is precisely the most concrete, most solemn fulfillment of this "Pi reaching its extreme, Tai returns" within the course of the year—it proclaims that the age of "Pi," in which all things were sealed and vitality lay latent, has ended, and the age of "Tai," in which Heaven and Earth interact and the myriad things flow freely, has begun.
Here we must widen our view still further, connecting Lichun's Tai hexagram back to the Winter Solstice's Fu hexagram. The Winter Solstice's Fu hexagram (䷗), "the single yang returns," is the "ji"—the first sprouting of yang qi within the utmost yin; thereafter the Lin hexagram (䷒), "two yang lines," yang qi gradually growing; until, in the first month, the Tai hexagram (䷊), "three yang lines," yang qi has finally accumulated to the degree sufficient to "open into Tai," sufficient to drive forward "Heaven and Earth in communion." Thus we see a clear and magnificent thread of life: the Winter Solstice (the Fu hexagram, a single yang latent beneath the earth) → the twelfth month (the Lin hexagram, two yang lines gradually growing) → Lichun (the Tai hexagram, three yang lines opening into Tai, Heaven and Earth in communion). This thread is precisely the complete history of yang qi, of vitality, ascending from "latency" to "manifestation," from "ji" to "communion," from beneath the earth to its surface. The reason Lichun is the critical node of "all things owing their beginning" lies precisely here—it is the decisive "Tai-opening" node upon this history of ascent: yang qi, having reached this point, has finally broken through winter's sealed "Pi," opening spring's flowing "Tai." Having understood this thread from the Fu hexagram to the Tai hexagram, we truly understand that Lichun's "three yang lines opening into Tai" is not an auspicious image arrived at from nowhere, but the great victory of life—gestated through an entire deep winter, accumulated and strengthened step by step from the single returning yang.