干支万花筒

This paper takes the "The Trees of Ox Mountain" chapter from Mencius' "Gaozi" as its core text, integrating it with pre-Qin philosophical literature to deeply analyze the argumentative structure of innate human goodness, the mechanisms by which external environments harm the mind and nature, and the philosophical foundations and cultivation practices of the theory of innate goodness.

This paper deeply interprets the core proposition "Those whose universes are vast and stable emit the light of heaven" from Zhuangzi's "Geng Sang Chu." Integrating Pre-Qin classics, it analyzes the proposition's five-layered progressive meanings, exploring the essence of Zhuangzi's thought concerning inner stillness, the interaction between Heaven and humanity, the transcendence of intellectual limits, and the cosmic order.

This article provides an in-depth analysis of Lixia (the Beginning of Summer) through the lenses of pre-Qin Confucian and Daoist philosophy, etymological roots, and astronomical observation, elucidating its significance as the critical juncture where the cosmic momentum shifts from "birth" to "growth." By examining the evolution of the character "xia" (夏) and the movement of the star Antares, the study reveals the profound wisdom behind the ancient mandate of "respectfully bestowing the seasons" and the harmonious worldview of unity between humanity and the cosmos.

This paper offers an in-depth interpretation of the central passage in the *Guanzi*'s 'Nei Ye'—'That which can transform one thing is called *Shen* (Spirit/Divine); that which can change one affair is called *Zhi* (Wisdom)'—systematically reviewing the philosophical concepts of *Shen*, *Zhi*, *Jing* (Essence), *Qi* (Vital Force), and the *Dao* in the Pre-Qin period to elucidate their pivotal role in self-cultivation and the integration of inner sageliness with outer kingship.

This paper offers an in-depth interpretation of the 'Image of Music and Sound' (Sheng Yue zhi Xiang) discussed in Xunzi's 'On Music,' clarifying the Pre-Qin meaning of 'Xiang' (image/analogy) and elucidating how the qualities of sound correspond to the myriad things in the cosmos. It further situates this correspondence within Xunzi's Confucian framework of 'transforming human nature through rites and music' to explore the cosmological significance and pedagogical function of music.

This study offers a profound analysis of the *Zhengming* chapter in the *Xunzi*, specifically examining the philosophical implications of "the perfected names of the later kings" and "dispersed names." By situating Xunzi’s theory within the broader discourse of Pre-Qin thought, the article elucidates how the rectification of names functions as a critical nexus for political governance, social order, and epistemological framework.