五运六气 · 运气推演仪

This scholarly examination of Duanmu Ci reconstructs the legendary life of Zigong by situating him within the multifaceted contexts of Pre-Qin diplomacy, mercantile economy, and intellectual discourse. By transcending the reductive label of a mere merchant, the study recovers his stature as a profound Confucian philosopher and intimate associate of Confucius, thereby elucidating the foundational layers and cultural roots of Pre-Qin civilization.

This article provides a rigorous analysis of the "Yan Yuan wen weibang" passage in the *Analects*, examining Confucius’s political pedagogy—centered on the calendar of the Xia, the carriage of the Shang, the ceremonial cap of the Zhou, and the music of Shao—as a synthesis of the essential wisdom of the Three Dynasties. By situating these practices within the broader framework of Confucian statecraft, the study elucidates the idealized civilizational paradigm of the tradition and the enduring philosophical significance of its transmission.

'An in-depth exploration of the principles behind why Qi Men Dun Jia can achieve "Multiple Judgments from One Chart." We analyze the core mechanisms of this highest-level ancient Chinese predictive science from dimensions such as holographic universe theory, multi-dimensional coordinate systems, the symbolic system of Wan Wu Lei Xiang, and Taiji point transformation.'

This paper deeply investigates the core proposition, 'The Sage perceived the profundity (Ze) of the world,' within the *Xi Ci Zhuan* (Commentary on the Appended Judgments) of the *Zhou Yi*, analyzing the original Pre-Qin semantics of 'Ze,' 'Xiang' (Image), and 'Yao' (Line). It focuses on explaining the cognitive leap of the Sage through 'looking up and observing down,' transforming deep textures (Ze) into external simulations (Xiang), and reveals the intrinsic connection between the 'Yao' and ancient ritual systems, thereby reconstructing the foundation of Yi learning theory.

This paper strips away the veneer of divination and numerology to return to Pre-Qin astronomy and cosmology, critically examining the true nature of the Six Conjunctions (Liu He) among the Twelve Earthly Branches (Zi Chou, Yin Hai, Mao Xu, Chen You, etc.). It focuses on analyzing the essential 'astronomical copulation' of the Six Conjunctions and the philosophical implications—such as concealment, generation, refinement, and transformation—embedded within their 'Qi Transformation' (Hua Qi).

This paper offers an in-depth interpretation of the 'Image of Music and Sound' (Sheng Yue zhi Xiang) discussed in Xunzi's 'On Music,' clarifying the Pre-Qin meaning of 'Xiang' (image/analogy) and elucidating how the qualities of sound correspond to the myriad things in the cosmos. It further situates this correspondence within Xunzi's Confucian framework of 'transforming human nature through rites and music' to explore the cosmological significance and pedagogical function of music.